WORKSHOP 3: Friday 28th June 2013, 11:00 – 16:00, Room 4SB.5.3, University of Essex, Colchester

11:00-12:00  Keynote lecture: Dr. David Hulks (Colchester School of Art; University of East Anglia) Art History and the Mind: Questioning the shift from Psychoanalysis to Neuroscience

12:00-12:10  Coffee and Tea

12:10-13:30  Shaun Camp (University Campus Suffolk) Play: Object Relating and True Self

 Ann-Cathrin Drews (Münster Art Academy) From Form to Psyche: Psychoanalytical Constellations in Modern and Contemporary Art

13:30-14:30 Lunch Break

14:30-16:00 Hephzibah Rendle-Short (Centre for Freudian Analysis and Research, London) Twin Axis: Enigma in the Clinic and Studio

Drew Elizabeth Bucilla (The Graduate Center, CUNY) Dream-work, Constellation, Map: Joseph Cornell’s Method



WORKSHOP 2: Saturday 8 June 2013, 14:00 – 18:00. Seminar Room 3+4, Art History Department, 20-21 Gordon Square, University College London

14:00 – 15:00 Keynote: Prof. Janet Sayers (Psychology Department, University of Kent) Two-way traffic in art and psychoanalysis

15:00 – 15:10 Coffee and Tea

15:10 – 16:30 Maïté Marciano (Kingston University) Divergent perspectives on Magritte’s Time Transfixed

Jenny Nachtigall (UCL) Techniques of recording in Dada performance and psychoanalysis

16:30 – 16:40 Short Break

16:40 – 18:00 Robert Kilroy (Trinity College Dublin) Psychoanalysis and Art History: From Parallelism to Parallax

Yasco Horsman (Leiden University) Listening to Art: On Theodor Reik’s notion of the Third Ear


WORKSHOP 1: Friday 3 May, 2013. Ivor Crewe Seminar Room, University of Essex, Colchester

14:00 – 15:00 Keynote lecture: Prof. Margaret Iversen (University of Essex) Carving, Modelling, Casting

15:00 – 15:10 Coffee and Tea

15:10 – 16:30 Andrés Montenegro (University of Essex) Displacements of the Uncanny

Rosa Nogués (Kingston University) The Body of Sexuation: Feminist Art Practice

16:30 – 16:40 Short Break

16:40 – 18:00 Imogen Wiltshire (University of Birmingham) Painting as Psychotherapy: The Crossover Between Art and Psychoanalysis at Arthur Segal’s Painting School for Professionals and Non-Professionals (1937- 1944)

Iain Matheson (Independent Researcher) William Burroughs, un hombre invisible: the meta-psychology of  l’ecriture in a speculative case of Bionian psychosis

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